Saturday, December 4, 2010
Thursday, November 4, 2010
New 2.33 jinashi shakuhachi / A
For a Myôan student from Taiwan I have made this custom jinashi shakuhachi with an interesting sound: Full, rich, a bit like an upper tones of basoon. Made from matured hard dense Madake bamboo. Black Urushi lacquer. Well balanced, easy playability in both octaves. Quick attack. Nice full RO. This flute can easy hold one with medium hands.
I will sand the root closer to the bamboo body on request.
Buyer wrote about this flute:
Jinashi shakuhachi se zajímavým zvukem, který je plný, vzdáleně připomínající zvuk horních tónů fagotu. Vyrobena z tvrdého hustého kusu vyzrálého Madake bambusu. Dobře vyvážená hratelnost, snadná pro obě oktávy. Rychlý nástup tónu. Pěkný plný zvuk tónu RO. Tuto flétnu může snadno držet člověk se střední (též i menší) velikostí rukou.
I will sand the root closer to the bamboo body on request.
Buyer wrote about this flute:
I appresiate your work and thank you, I like the shakuhachi you made. As I play the flute more, I handle the flute well and blow sounds good. Finger holes is ok, I feel comfotable after days of practice.
The sounds of first octave are good, harmony, penetrative... from pure tone to complexive overtone,the sounds are rich.
***Jinashi shakuhachi se zajímavým zvukem, který je plný, vzdáleně připomínající zvuk horních tónů fagotu. Vyrobena z tvrdého hustého kusu vyzrálého Madake bambusu. Dobře vyvážená hratelnost, snadná pro obě oktávy. Rychlý nástup tónu. Pěkný plný zvuk tónu RO. Tuto flétnu může snadno držet člověk se střední (též i menší) velikostí rukou.
Saturday, October 2, 2010
New 2.59 Jinashi #1 Shakuhachi / G
Jinashi flute without an utaguchi inlay
Nice hard dense bamboo
Red Urushi lacquer
Well tuned - G (A at 440)
Shakuhachi has a quite big complex sound, nice full RO and delicate high octave notes.
Loud and vibrant.
Recommended to play the Myôan style, also can easy play the Dokyoku style & Dokyoku second octave patterns as well
Hanko
(photos taken before finish the flute)
classification with rating from 1 to 5
(holding the flute, intonation, balance,
playability, aesthetic, tuning)
Nice hard dense bamboo
Red Urushi lacquer
Well tuned - G (A at 440)
Shakuhachi has a quite big complex sound, nice full RO and delicate high octave notes.
Loud and vibrant.
Recommended to play the Myôan style, also can easy play the Dokyoku style & Dokyoku second octave patterns as well
Hanko
(photos taken before finish the flute)
classification with rating from 1 to 5
(holding the flute, intonation, balance,
playability, aesthetic, tuning)
- H + + + + +
- I + + + +
- B + + ++
- P + + + +
- A + + + +
- T + + + +
New 2.59 Jinashi #2 Shakuhachi
Jinashi flute without an utaguchi inlay.
classification with rating from 1 to 5
(holding the flute, intonation, balance,
playability, aesthetic, tuning)
- Nice medium dense bamboo, 7 years cured
- Red Urushi
- Well tuned - G (A at 446 HZ)
- Shakuhachi has a mellow sound, nice RO.
Play easy second octave notes. - Suitable for the Myôan.
- Can play the Dokyoku style include special patterns of this School.
classification with rating from 1 to 5
(holding the flute, intonation, balance,
playability, aesthetic, tuning)
- H + + + +
- I + + +
- B + + ++
- P + + + +
- A + + +
- T + + + +
Tuesday, June 1, 2010
1.8 Myôan Jinashi Shakuhachi
- 1.8 jinashi s širším vývrtem
- vyrobena ze staršího japonského madake
- červený urushi lak
- 1.8 wide-bore jinashi
- aged japanese madake bamboo
- red urushi lacquer
Friday, May 28, 2010
3.0 Jinashi Shakuhachi left-handed / E (A=440)
Vyrobil jsem tuto speciální shakuhachi pro Rajendru Teredesaie, výborného hráče na indickou flétnu bansuri.
***
I made this special shakuhachi on request for great bansuri player Rajendra Teredesai.
***
I made this special shakuhachi on request for great bansuri player Rajendra Teredesai.
Monday, May 10, 2010
Saturday, April 24, 2010
Friday, April 23, 2010
Saturday, April 17, 2010
Thursday, April 15, 2010
Shakuhachi classification
SIMPLE classification
- Usable / Usable++ (meditation flutes)
- Fair / Fair++ (can play some honkyoku pieces)
- Good / Good++ (can play most of honkyoku pieces)
- Great / Great++ (can play most of honkyoku pieces with teacher)
- Excellent / Excellent++ (can play most or all of honkyoku pieces, performing balanced flute)
HIBPAT, more complex classification with rating from
1 to 5 (holding the flute, intonation, balance, playability, aesthetic, tuning)
So there is a Mount Everest Shakuhachi:
- H + + + + +
- I + + + + +
- B + + + + +
- P + + + + +
- A + + + + +
- T + + + + +
Friday, April 2, 2010
Zvláštní poděkování / Especially thanks
Zvláštní poděkování patří Dean Del Benemu (hráč na shakuhachi), Dan Shinkuovi (japonský výrobce meian jinashi-kan shakuhachi) a Kees de Fouwovi (hráč na shakuhachi).
Dean mě velice podpořil mnoha radami a zdroji pro studium hry.
Dan Shinkuova práce je mi velkou inspirací.
Kees mě věnoval vzácný materiál pro výrobu shakuhachi.
Díky, velkorysí přátelé!
***
Especially thanks to Dean Del Bene (shakuhachi player),
to Dan Shinku (japanese jinashi-kan shakuhachi maker)
and to Kees de Fouw (shakuhachi player).
Dean very helped me trough advices and plenty of
sources for study.
Dan Shinku's work much inspired my own way.
Kees gave me a rare material to making the shakuhachi.
Thank you to all, generous friends!
Dean mě velice podpořil mnoha radami a zdroji pro studium hry.
Dan Shinkuova práce je mi velkou inspirací.
Kees mě věnoval vzácný materiál pro výrobu shakuhachi.
Díky, velkorysí přátelé!
***
Especially thanks to Dean Del Bene (shakuhachi player),
to Dan Shinku (japanese jinashi-kan shakuhachi maker)
and to Kees de Fouw (shakuhachi player).
Dean very helped me trough advices and plenty of
sources for study.
Dan Shinku's work much inspired my own way.
Kees gave me a rare material to making the shakuhachi.
Thank you to all, generous friends!
Wednesday, March 31, 2010
Friday, March 26, 2010
Posloupnost / levels at Meian Temple
Posloupnost Taizan-ha skladeb vyučovaných v chrámu Meian.
Starý styl.
***
Taizan-ha levels taught at the Meian Temple
Old style.
平許 Hirayurushi
1. 一二三調 Hifumi Cho
2. 鉢返曲 Hachigaeshi no Kyoku
3. 瀧落曲 Takiochi no Kyoku
4. 山谷曲 Sanya no Kyoku
5. 九州鈴慕 Kyushu Reibo
6. 志図曲 Shizu no Kyoku
7. 善哉曲 Yoshiya no Kyoku
8. 奥州流 Ohshu Nagashi
初伝 Shoden
9. 秋田曲 Akita no Kyoku
10. 門開曲 Monbiraki no Kyoku
11. 轉菅掻 Koro Sugagaki
12. 吾妻曲 Azuma no Kyoku
中伝 Chuden
13. 戀慕流 Renbo Nagashi
14. 深夜曲 Shinya no Kyoku
15. 巣鶴 Sokaku
16. 雲井曲 Kumoi no Kyoku
奥伝 Okuden
17. 鹿遠音 Shika no Tone
18. 鶴巣籠 Tsuru no Sugomori
19. 榮獅子 Sakae Jishi
別伝 Betsuden
20. 陸奥鈴慕 Mutsu Reibo
21. 打皷曲 Dako no Kyoku
22. 筑紫鈴慕 Chikushi Reibo
23. 鳳叫虚空 Houkyo Koku
24. 龍吟虚空 Ryugin Koku
25. 虎嘯虚空 Koshou Koku
26. 鳳鐸 Houtaku
27. 阿字曲 Aji no Kyoku
28. 曙調 Akebono Shirabe
29. 大和調子 Yamato Choshi
皆伝 Kaiden
30. 調子 Choshi
31. 虚空 (秘曲)Koku
32. 虚鈴 (秘曲) Kyorei
33. 霧海じ(秘曲) Mukaiji
zdroj: shakuhachi.ru
Starý styl.
***
Taizan-ha levels taught at the Meian Temple
Old style.
平許 Hirayurushi
1. 一二三調 Hifumi Cho
2. 鉢返曲 Hachigaeshi no Kyoku
3. 瀧落曲 Takiochi no Kyoku
4. 山谷曲 Sanya no Kyoku
5. 九州鈴慕 Kyushu Reibo
6. 志図曲 Shizu no Kyoku
7. 善哉曲 Yoshiya no Kyoku
8. 奥州流 Ohshu Nagashi
初伝 Shoden
9. 秋田曲 Akita no Kyoku
10. 門開曲 Monbiraki no Kyoku
11. 轉菅掻 Koro Sugagaki
12. 吾妻曲 Azuma no Kyoku
中伝 Chuden
13. 戀慕流 Renbo Nagashi
14. 深夜曲 Shinya no Kyoku
15. 巣鶴 Sokaku
16. 雲井曲 Kumoi no Kyoku
奥伝 Okuden
17. 鹿遠音 Shika no Tone
18. 鶴巣籠 Tsuru no Sugomori
19. 榮獅子 Sakae Jishi
別伝 Betsuden
20. 陸奥鈴慕 Mutsu Reibo
21. 打皷曲 Dako no Kyoku
22. 筑紫鈴慕 Chikushi Reibo
23. 鳳叫虚空 Houkyo Koku
24. 龍吟虚空 Ryugin Koku
25. 虎嘯虚空 Koshou Koku
26. 鳳鐸 Houtaku
27. 阿字曲 Aji no Kyoku
28. 曙調 Akebono Shirabe
29. 大和調子 Yamato Choshi
皆伝 Kaiden
30. 調子 Choshi
31. 虚空 (秘曲)Koku
32. 虚鈴 (秘曲) Kyorei
33. 霧海じ(秘曲) Mukaiji
zdroj: shakuhachi.ru
1.8 Myôan Jinashi Shakuhachi / D
Odhadem 40 až 50 let stará Myôan Jinashi shakuhachi
Velice hezký instrument se správným laděním.
Hustý bambus, silný nebo jemný zvuk dle hráče. Lehce oválný průřez. Konstrukce a úhly UTAGUCHI umožní hrát tóny v KAN rejstříku, které mě připomenou zvuk hry na sklenice od vína (jak můžete slyšet v mé 2. nahrávce - improvizaci, ovlivněnou poslechem Takahashi Kuzana).
Domnívám se, že na flétnu lze hrát též jiné školy.
***
Cca 40-50 years old Myôan Jinashi.
Very nice instrument. Tuning is very good.
Dense Bamboo, strong or soft sound as the player will like.
Slightly oval shape.
Construction and angles of UTAGUCHI enable to play sound remind me playing the wine glasses (hear recording No.2 - my improvisation with some influences of Takahashi Kuzan).
flute sound - sample 1
Download link mp3
flute sound - sample 2
Download link mp3
Velice hezký instrument se správným laděním.
Hustý bambus, silný nebo jemný zvuk dle hráče. Lehce oválný průřez. Konstrukce a úhly UTAGUCHI umožní hrát tóny v KAN rejstříku, které mě připomenou zvuk hry na sklenice od vína (jak můžete slyšet v mé 2. nahrávce - improvizaci, ovlivněnou poslechem Takahashi Kuzana).
Domnívám se, že na flétnu lze hrát též jiné školy.
***
Cca 40-50 years old Myôan Jinashi.
Very nice instrument. Tuning is very good.
Dense Bamboo, strong or soft sound as the player will like.
Slightly oval shape.
Construction and angles of UTAGUCHI enable to play sound remind me playing the wine glasses (hear recording No.2 - my improvisation with some influences of Takahashi Kuzan).
flute sound - sample 1
Download link mp3
flute sound - sample 2
Download link mp3
Sunday, March 21, 2010
TAMUKE 手向 Fuke-shu honkyoku
2.4 Myôan Jinashi bude zítra cestovat k novému majiteli. Chtěl jsem s touto flétnou pořídit nahrávku TAMUKE 手向 - Fuke-shu honkyoku.
23.03.
Opravil jsem nahrávku, 2.7 flétna (namísto 2.4)
***
The 2.4 Myôan Jinashi will go to new owner tomorrow.
I wanted record TAMUKE 手向 - Fuke-shu honkyoku, play this flute. There is first recording, of course imperfect. I am learning this piece just now.
23. 03.
I have corrected recording, play 2.7 flute (instead of 2.4)
23.03.
Opravil jsem nahrávku, 2.7 flétna (namísto 2.4)
***
The 2.4 Myôan Jinashi will go to new owner tomorrow.
I wanted record TAMUKE 手向 - Fuke-shu honkyoku, play this flute. There is first recording, of course imperfect. I am learning this piece just now.
23. 03.
I have corrected recording, play 2.7 flute (instead of 2.4)
Thursday, March 11, 2010
Značka / Hanko
Rád bych představil návrh nové značky, kterou bych používal na vybrané flétny. Jde o propojení písmen S a M hlaholské abecedy. Značka též připomene stylizovaného člověka hrajícího na flétnu. Doufám že značkovač bude vyroben pokud možno brzy...
***
May I introduce my new Hanko? This sign combine two glagolitic letters "S" and "M". Maybe reminds a blowing man too. I hope will have a heat stamper soon...
***
May I introduce my new Hanko? This sign combine two glagolitic letters "S" and "M". Maybe reminds a blowing man too. I hope will have a heat stamper soon...
NEW 2.4 Myôan Jinashi wide bore Ab
2.4 jinashi Myôan shakuhachi, vyrobená z japonského madake bambusu.
***
New 2.44 Myôan jinashi shakuhachi, 7 nodes, big bore bamboo.
Made of japanese Madake. Very thick and dense piece.
Ivory utaguchi. Dark red urushi lacquer in the bore.
Some working in the bore (pressure points etc.) gives result in a very deep, beautiful and warm sound, which also brings rest to the people who listen to it. Play all the way into the third octave. This flute invite you to play in meditative way.
Pitch Ab at 442hz.
***
New 2.44 Myôan jinashi shakuhachi, 7 nodes, big bore bamboo.
Made of japanese Madake. Very thick and dense piece.
Ivory utaguchi. Dark red urushi lacquer in the bore.
Some working in the bore (pressure points etc.) gives result in a very deep, beautiful and warm sound, which also brings rest to the people who listen to it. Play all the way into the third octave. This flute invite you to play in meditative way.
Pitch Ab at 442hz.
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